Watched the adaptation of Marjane Satrapi’s autobiography comic book today, it was, in my opinion, not about the revolution of Iran nor the Iraqi-Iranian War as much it was the specific coming-of-age of Marjane. At times it felt a clear extraction of an individual’s life. The specificity is something I aspire to reveal in storytelling, such as Marjane’s clear characteristics not serving a major plot device or progressor, such as her messiah/prophet complex as a child – it can be said that all these amount to her rebellious nature as an individual in a repressive regime, but I believe the feeling of being rebellious was more blunt from the punk impressions or Western-cultural influences on Marjane.
From the first 20 minutes of the film, the pacing and transitions of shots were jarring. I hope the filmmakers didn’t create a linear production from the start to the end. It could’ve been that way, as it felt like that. There is also a lot of comic-like images that don’t really play well in animation/film. I feel the family’s contemplation of the future of the country after the Shah’s defeat as being rather too fast and inconsistent to the protagonist narrative of Marjane. Why couldn’t it be portrayed from only Marjane’s point of view?
I really enjoyed the return to Iran montage (Eye of the Tiger), I imagine the feeling of being clinically depressed and overcoming the feeling would’ve been longer, darker and depressing to watch, ironically. But the conveyance of Marjane’s old nature of enjoying Western films and music returning to her was uplifting and reassuring that she will change people around her in this exhausted nation.